I am thinking this is very abstract, but this was also given clearance by a very concrete-minded visual thinking child. The kid even had the idea (one we thought about, too, but where did this come from?) to make the background color a photographer’s middle gray. The notion is that the camera is on top, the projector is on bottom, and together they form a kind of programmable “black box” through which the algorithm of documentary filmmaking production decisions are made. No, documentary is not “reality”. But perhaps it is an attempt at direct experience.